Waveform Monitor
The WFM5000 Compact Video Waveform Monitors provide an ideal solution for basic video and audio monitoring needs with an integrated LED backlit display in a convenient 3RU, half-rack, short-depth form factor, suitable for space-constrained environments. These versatile instruments provide options to accept power from a 12 V DC source, a battery, or a 100-240 V AC converter. Both models come standard with support for 16 channels of Embedded Audio and 1 input for 2 channels of Digital AES Audio.
Features & Benefits |
- WFM5000 – HD/SD-SDI Compact Waveform Monitor
- Convenient, 3 RU, Half-rack, Short-depth Instrument, Ideal for Space-constrained Environments
- AC and DC Power Options
- Patented Gamut Displays Facilitate Compliance Verification
- TandemVu® Display for Efficient Camera Adjustments
- Error Log for 10,000 Events Simplifies Error Correction Tasks
- Fully Digital Processing for Accurate, Repeatable, Drift-free Operation
- Ethernet Port allows for Easy Download of Screenshots and Error Log
- Freeze Mode for Trace and Picture Displays
- Equipped Standard with Monitoring Capacity for 16 Channels of Embedded Audio (up to 8 Simultaneously) and 1 AES Audio Input
- Front-panel Headphone Port for Easy Monitoring of Audio Channels
- Audio Bars and Lissajous Displays for Verification of Audio on the Same Instrument
- 32 User-configurable Presets for Quick Recall of Commonly Used Configurations
- Patented Tektronix Timing Display Makes Facility Timing Easy
- User-definable Safe Area Graticules Facilitate Editing Tasks
- High-brightness Display allows for Indoor and Outdoor Usage
- Picture Thumbnail with Line-select Marker
- Intuitive User Interface, Backlit Buttons, and Online Help
- Front-panel USB Port for Easy Transfer of Instrument Presets and Screenshots
- SNMP Control for Easy Systems Integration
|
Applications |
- Confidence Monitoring of SDI Video and Uncompressed Digital Audio
- Compliance Checking in Distribution and Broadcast
- Content QA in Production and Post Production
- Portable Monitoring on Camera and Field Production
|
|